By Marguerite Bennett (Writer) // Renato Guedes (Art, Cover & Glorious Black And White Tones)

n the 1970s, legendary filmmaker Oliver Larsen began production on what was to be his horror masterpiece. Obsessed with authenticity, the megalomaniacal director insisted on filming a real-life occult ritual performed by actual cult members. The cast and crew, of course, gave no credence to the cultists' beliefs but soon were proselytized as something awoke that day on the studio lot. In the bloody aftermath, the production was permanently shut down, the footage suppressed, and the soundstage that bore witness forever shuttered. Until today.